The best part of your wedding weekend probably won’t happen during the ceremony.
It’ll be at the welcome party when everyone finally arrives and that electric “we’re all here” energy hits.
Or during the recovery pool party—sunburned shoulders, Bloody Marys in hand, and everyone piecing together what actually happened on the dance floor last night.
Those are the pieces that make your weekend feel like your weekend.
One day can’t hold all of that.
One day can’t tell the whole story.
Your film needs the build-up.
The transformation—from anticipation, to celebration, to the soft landing on the other side.
When I film your weekend, I’m not chasing a checklist.
I’m absorbing the rhythm of the people you love and the way the weekend unfolds naturally.
That’s what makes a film worth watching.
That’s what makes it feel like it has a soul.
I’m there to film, but I’m also just there. I'll hang. I'll drink a beer. I'll get in the water if that's where the moment is.
My best work happens when I’m immersed in the weekend right alongside you—not hovering on the edge, not directing every beat, but moving with the flow of your people and your energy.
I’m not interested in stiff, overly produced videos that feel like every other wedding film.
My approach is simple:
Be present. Pay attention. Don’t force anything.
I show up as a filmmaker, but I blend in as a friend—someone who can laugh with you, float in the pool with a GoPro, hand your friend a fresh Margarita, or slip into the background when the emotion gets too good to disturb.
If you want a film that feels cinematic but still undeniably you—something honest, something alive, something with rhythm and weight and warmth—then we’re probably going to get along just fine.
I’ve always been drawn to stories, places, and people with depth. I’ve traveled to more than 20 countries, and somewhere between long-haul flights, mountain trails, and unfamiliar coastlines, I realized how much I love being fully immersed in the moment.
When I’m not filming, you’ll find me surfing, hiking, or doing pretty much anything active. I feel most myself when I’m outside—moving, exploring, or chasing some kind of adventure.
I actually fell in love with video through a nonprofit project. I helped build a school in Africa and created a film about the experience. It was raw, emotional, and completely life-changing. It taught me how powerful it is to capture real human connection—not just the pretty parts, but the honest ones.
That’s why I care so much about multi-day wedding stories. A single day gives you the events. A whole weekend gives you the emotion—the buildup, the dynamic shifts, the way the energy changes from one day to the next. That’s where the real story lives, and that’s the part I’m obsessed with documenting.
At the end of the day, I’m just a guy who loves good people, good adventures, and making films that actually feel like something.